SIGHT (2024)
archival pigment prints, an artist's book, and a short film exploring situated memory
archival pigment prints, an artist's book, and a short film exploring situated memory
What happens to narratives for which topographical evidence no longer exists to the naked eye? Are the mental geographies of memory, loss, and reconstruction necessarily lost following their worldly decomposition? Perhaps, in order to perceive the lingering presence of traumatic histories, it is necessary to sit with these spaces, devoid of any visible markers; to behold great swaths of absence, to listen quietly as they breathe their hollow witness.
